{"id":57,"date":"2025-04-18T17:33:21","date_gmt":"2025-04-18T17:33:21","guid":{"rendered":"https:\/\/routledgelearning.com\/cccm\/?p=57"},"modified":"2025-06-25T16:32:57","modified_gmt":"2025-06-25T16:32:57","slug":"chapter-15","status":"publish","type":"post","link":"https:\/\/routledgelearning.com\/cccm\/chapter-15\/","title":{"rendered":"Chapter 15"},"content":{"rendered":"\n

Mixing and Processing<\/h2>\n\n\n\n

Building on the foundation presented in the two previous chapters, this section focuses on creating balance, width, and depth within a professional-quality mix. After a thorough treatment of studio setup, including discussions of acoustic treatment, monitor selection, and speaker placement, the chapter moves to an overview of effects processing. Topics in this portion include equalization, compression, gating, reverb, delay, and modulation effects. You will also be exposed to advanced mixing techniques such as orchestral panning, complementary equalization, and side chaining.\u00a0<\/p>\n\n\n\n


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Figures<\/h3>\n\n\n\n
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\"Acoustic\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.1 Acoustic Foam<\/figcaption><\/figure>\n\n\n\n
\"A\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.2 A bass trap<\/figcaption><\/figure>\n\n\n\n
\"A\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.3 A diffusion panel<\/figcaption><\/figure>\n\n\n\n
\"Proper\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.4 Proper speaker placement<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"The\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.5 The audio continuum<\/figcaption><\/figure>\n\n\n\n
\"Boost\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.6 Boost wide, cut narrow<\/figcaption><\/figure>\n\n\n\n
\"EQ\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.7 EQ sweeping<\/figcaption><\/figure>\n\n\n\n
\"A\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.8 A waveform before and after compression<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Compression\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.9 Compression with FabFilter\u2019s Pro-C 2 plugin<\/figcaption><\/figure>\n\n\n\n
\"Sidechaining\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.10 Sidechaining using Waves\u2019s RComp plugin in Logic<\/figcaption><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.11 Orchestral panning<\/figcaption><\/figure>\n\n\n\n
\"Pop\/rock\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.12 Pop\/rock ensemble panning<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.13 Volume automation applied to grouped tracks in Pro Tools<\/figcaption><\/figure>\n\n\n\n
\"Track\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
15.14 Track busses in Pro Tools<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

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Flashcards<\/h3>\n\n\n\n

Click on the word to get the definition<\/p>\n\n\n\n\n

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