Continuing the theme from Chapter 2, this chapter demonstrates the ways in which rhythms are manifested in the digital audio workstation. Topics include sequencing basics, the score editor, grid adjustments, meter and tempo in the DAW, and quantization. Additionally, you’ll be introduced to common rhythmic correction techniques within various DAWs, such as Elastic Audio, Audio Warp, and Flex mode.
6.1 Custom Control Bar from Logic Pro6.2 Logic Pro Custom Control Bar—tempo and meter change6.3 Badelt, “The Black Pearl”6.4 Badelt, “The Black Pearl”
6.5 Cubase-rhythm resolution change based on the smallest rhythmic unit6.6 Common note values and MIDI event blocks in 4/4 time6.7 Excerpt from “The Black Pearl” in Logic’s Event List and Score Editor Editor6.8 Multiple view options in Cubase
6.9 Logic Pro Track Metronome & Count In On/Off6.10 Performance- based sequencing6.11 Cubase Step Record function for the “Black Pearl” theme’s first bar6.12 Logic Pro quantization value comparison
6.13 Comparison between unquantized and quantized performances featuring different quantization strengths in Cubase6.14 Changing the pitch of a note using the pointer tool in Logic Pro6.15 Extending a MIDI event in Ableton using the hand tool6.16 Truncating a group of MIDI events in Cubase
6.17 Logic Pro Audio File Editor before and after the activation of Transient Edit mode6.18 Logic Pro Audio File Editor before and after the activation of Transient Edit mode
